Music for the Fourteenth Day of March

Listen To Meee!

0:00:01) Three Point One Four by BloodHound Gang off of Hooray for Boobies

gang

0:03:55 (Rev’s music for interruptions 1: Preludes Nos.1-5: No.2 in E Major – Arpeggins – Allegro by Georgi Morawsky off of 66 Must-Have Spanish Guitar Masterpieces)

That was those very 90’s master the tasteless tounge-in-cheek the Bloodhound Gang with Three Point One Fourbecause today is the 14th day of the 3rd month. 3/14. PI Day. And that’ll probably be the last song that has to do with sex. Especially when shows like Valentine’s and Fetish day are still burning so close  in our rearview. Welcome once again to Aurally Fixated. It is I, your friend to the friendless, Rev. here to remind you to let Plastic Jesus take the wheel. And away we go!

heavy

0:06:45) Two Dreadful Children by Cruella De Ville off of Two Dreadful Children – Single

0:10:35) The Countdown, Pt. 2 (feat. Blue Man Group) by X-ecutioners off of Revolutions

0:12:15) Sixteen by The Heavy off of The House That Dirt Built

0:15:15) death by numbers by Childish Gambino off of because the internet

0:15:55) 1940 (Amplive Remix) by The Submarines off of Honeysuckle (Remixes)

0:18:55) ’52 Ford by Murder By Death off of Red Of Tooth And Claw

0:21:20 (Rev’s music for interruptions 2: Leave-Taking by Rocket Juice & The Moon off of Rocket Juice & The Moon)

What a funny/dreary band. But what can one expect from a group named after a classic murder-comedy… Murder By Death. From Red Of Tooth And Claw that was ’52 Ford. And the dreamy chanty we traded-in to get that ’52 Ford was a remix of one called 1940 by The Submarines. We led into those old vehicles with a little itty bitty bit of a ditty by Childish Gambino entitled death by numbers. And Immediately preceding that, from The House That Dirt Built we heard The Heavy with Sixteen. Then right before that, representing 3 Boroughs, since the late 80s, the X-ecutioners. From Revolutions we had The Countdown, Pt. 2 featuring Blue Man Group. And we started it all off with Two Dreadful Children by Cruella De Ville.

GG

0:23:25) Old Number Seven by Devil Makes Three off of The Devil Makes Three 

0:26:40) 7 Devils by the goddamn gallows off of Seven Devils

0:30:15) #2121313 by Corrosion Of Conformity off of Deliverance

0:31:15) Seven Devils by Sadistik off of Flowers For My Father

0:36:40 (Rev’s music for interruptions 3: Mano De Mono by Corrosion Of Conformity off of Deliverance)

From Sadistik‘s Flowers For My Father that was Seven Devils. And right before them we had about a minute’s worth of wordless Corrosion Of Conformity entitled #2121313. Previous to that were seven more devils, the title track off the goddamn gallows record, 7 Devils. And we began it all with that Old Number Seven from Devil Makes Three self titled album. 

Please go to some of these bands sites. Try and help support them any way you can. Buy their music. When you can go see them play live. Most of these bands work their own merch-tables, so go meet them, buy something from them, you won’t regret it.

Wolf

0:38:15) 31 Flavors by Little Jackie off of Made4TV

0:41:20) Math by Supernova off of Tromeo & Juliet

0:43:35) Five Twos by George Carlin off of Playin’ With Your Head

0:44:40) 300 Pounds Of Joy by Howlin’ Wolf off of The Chess Box

0:47:40) Count to 10 by Imani Coppola off of Come and Get Me…What?!

0:50:20) Close Your Eyes (And Count To Fuck) by Run The Jewels (Feat. Zack De La Rocha) off of Run The Jewels 2

0:54:14 (Rev’s music for interruptions 4: Bird Feathers by Charlie Parker off of Swinging Big Bands, Vol. 3)

We stated that tall teetering tower of song with an absolute delectable little number from Little Jackie. Off Made4TV we had 31 Flavors. Then came Supernova doing Math, after which followed a little bit of George Carlin, Playin’ With Your Head and talking about his Five Twos. Then was the one and only Howlin’ Wolf giving us all his 300 Pounds Of Joy. After Mr. Wolf we were graced yet again by the quirky genius that is Imani Coppola reminding us to Count to 10. And lastly we heard Close Your Eyes (And Count To Fuck) from Run The Jewels’ second album, and with Zack De La Rocha form Rage Against the Machine. What’s that you say? That song doesn’t fit thematically, just titularly? Well then we here at Aurally fixated Inc. recommend you just take a deep breath, Close Your Eyes, and Count To Fuck-you! Because thematically that song is the most important one this episode. Anyway, I’m getting riled up and need to take a second or five.

FireWater

0:57:35) Five Seconds by Peeping Tom Feat. Odd Nosdam off of Peeping Tom

1:01:50) 2:19 by Tom Waits off of Orphans: Brawlers, Bawlers & Bastards

1:06:40) 11:59 by Michael Franti & Spearhead off of All People

1:10:25) Six Forty Five by FireWater off of The Golden Hour

1:15:25 (Rev’s music for interruptions 5: Casella Walk off of Dap-Dippin’ with… Sharon Jones and The Dap-Kings) 

Right there was a track off my must-listen to while (tropically) traveling album, The Golden Hour. That was Firewater taking us on a little wander through their night beginning and ending at Six Forty Five. Immediate previous to that we had Michael Franti & Spearhead warning us that it’s 11:59 (on the Doomsday Clock.) And just in font of that from Orphans: Brawlers, Bawlers & Bastards, we heard Tom Waits telling us of how his baby left him on the 2:19.

Did you know that railroads invented time? Well, timezones at least.
Noon used to be whatever the sun was straight above, and since old clocks and watches were shit at keeping accurate time, folks would guess and set them to that-ish. And since there was no internet, TV, or phones there was no way to check, so each town lived in their own bubble of time. Until the railroads. Trains had to depart and arrive at specific uniform times, no matter where the sun was, from coast to coast – or else there might be a collision! In short the railroads invented Time just so Tom Waits’s baby could leave him precisely on the 2:19. So nowadays seconds count – speaking of which, we began with Five Seconds by Peeping Tom.

LowDown Brass-Band

1:18:00) 23 Beers by The Circus Contraption Band off of The Half-Wit’s Descent

1:21:10) Smoke Two Joints by Richard Cheese off of Tuxicity

1:22:40) One Piece At A Time by Johnny Cash off of 16 Biggest Hits

1:26:40) 5-Piece Chicken Dinner by The Beastie Boys off of Paul’s Boutique

1:27:05) 9mm and a Three Piece Suit by Catch 22 off of Keasbey Nights

1:28:55) 2nd Line Hop by LowDown Brass Band off of LowDown Breaks

1:31:50 (Rev’s music for interruptions 6: The Master Plan by The Gun Club off of The Las Vegas Story)

Ok, that was another meandering journey into sound, let’s catch up. We began with 23 Beers by the Circus Contraption Band. Then we moved on and up to Smoke Two Joints with Richard Cheese covering the old early 80s reggae track from the Toyes. Then we switched gears with Johnny Cash giving us One Piece At A Time. Then came The Beastie Boys with a 5-Piece Chicken Dinner. Then 9mm and a Three Piece Suit came blasting out of the Keasbey Nights. (The Catch 22 version.) Which beautifully bled into that big bewitching LowDown Brass Band doing the 2nd Line Hop – referring to the famous New Orleans parades Second Line. (I assume)

Now we have a number about what to do with the birth-rates falling and life-expectancy extending, and the old/evil outnumber the beautiful youth.

ceschi

1:33:35) Five To One by The Doors off of Waiting For The Sun

1:37:55) Count by David Ramos off of This Up Here

1:38:30) Count on It by Ceschi off of Count on It / Bad Jokes

1:43:30) Counting Bodies Like Sheep To The Rhythm Of The War Drums by A Perfect Circle off of eMOTIVe

1:48:40 (Rev’s music for interruptions 7: Boogie Woogie by Count Basie off of Jazz Greats 1)

That weird, over-the-top Danny Lohner remix of A Perfect Circle’s Pet was entitled Counting Bodies Like Sheep To The Rhythm Of The War Drums. Before that we had Ceschi with one of his more difficult-to-find singles called Count on It. And we led into his song with a little melody from his little brother David Ramos celled Count. And we kicked it all off with The Doors and Five To One.

Now a bit of bizarre and blistering balladry from Marnie Stern’s album This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That.

1:51:05) Prime by Marnie Stern off of This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That 

1:53:35) The Final Countdown by Leo Moracchioli off of Leo Metal Covers Volume 12

Leo

1:58:00 (Rev’s music for interruptions 8: I Am Locust by The Mag Seven off of End Sounds Ten Year Anniversary Sampler)

As you probably surmised by Leo Moracchioli covering Europe, this is The Final Countdown. And so now we end with one form the Muse album The 2nd Law, here is The 2nd Law: Unsustainable

2:00:20) The 2nd Law: Unsustainable by Muse off of The 2nd Law

 

Rasputina

 

Bonus track) The count uncensored

 

Bonus track) The New Zero by Rasputina off of How We Quit the Forest

Music for the 14th day of February


Listen Now!

0:00:01) My Funny Valentine by Frank Sinatra off of Sinatra: Best Of The Best

0:02:25) Love Song by Stephen Lynch off of The Craig Machine

Lynch

0:03:30) (Rev. Interruption 1 BackGround music: The Sleep by Psychotica off of Psychotica)

Greeting and salutations my lovelies, filthies, and all those both, neither and in-between. Welcome to the fourteenth day of February. Yes, that’s right, Saint Valentine’s Day. And what a perfect way to start off this felt-heart episode, with Ol’ Blue Eyes singing to his Funny (looking) Valentine. But as much as I do love Sinatra him kicking off today’s show, with such a classically schmaltzy song, was my idea of a joke. Because there’s no way I’m just doing a straight Valentine’s Day show, hence the Love Song by Stephen Lynch that followed 

And in kinda keeping with that, from their album 69 Love Songs, Vol. 3 here’s The Magnetic Fields, or as boasted, The King Of The Boudoir.  

0:04:55) For We Are The King Of The Boudoir by The Magnetic Fields off of 69 Love Songs, Vol. 3  

G0:06:05) Cumin’ Hard by Eddie Murphy off of Greatest Comedy Hits

0:10:45) Let it be Me by The Beatles Vs. Shaggy

0:13:05) Ain’t Never Loved A Man The Way that I Love You by Aretha Franklin off of I Never Loved a Man the Way I Love You

Eddie

0:16:45 (Rev. Interruption 2 BackGround music: Prison Prism by Ani DiFranco off of Revelling: Reckoning)

That was the one and only Queen of Soul Ms. Aretha Franklin with the title track off her perfect record I Never Loved a Man the Way I Love You. Before that we had a couple of tracks that I just had to stick together. The first was a bit of old stand-up from Eddie Murphy and then a song it inspired, the Beatles / Shaggy mash-up of Let It Be and It Wasn’t me. 

Ya know, I often look at all the romantic conflicts in popular culture; books and movies, and songs, and I wonder what the world would look like without all the “I caught them with another person” and “I have to choose between 2 people” kinda drama.

0:18:20) Triad by Jefferson Airplane off of Crown Of Creation

0:22:55) Three Is A Magic Number by Blind Melon off of Schoolhouse Rock! Rocks   

0:25:05) Kinky (Acoustic) by Kesha originally from High Road

K<3SH@

0:28:50 (Rev. Interruption 3 BackGround music: Frosti by Bjork off of Vespertine)

That was Kesha doing an Acoustic version of her incredibly fun song Kinky, originally from her High Road album. And before that was Three Is A Magic Number, the old Schoolhouse Rock! tune but preformed by Blind Melon, from the Schoolhouse Rock! Rocks compilation. Just before that we heard a song written in 1967 by David Crosby when he was with the Byrds. At the time it was so beyond the pale the rest of the band refused to release it, and fired Crosby. So he went and started Crosby Steels Nash and Young and sold the song to Jefferson Airplane.

You know my friends, Life is an all-you-can-eat-buffet, and when you reach the end you may be disappointed if you find you’ve spent all your time just on the chicken cold-cuts. I say try everything, how who else are you going to know If You’re Into It.

0:30:30) If You’re Into It by Flight Of The Conchords off of The Distant Future

0:32:10) Kinky Love by Nancy Sinatra off of Sheet Music

0:34:35) What Are You? By Matt Sweeney & Bonnie ‘Prince’ Billy off of Superwolf

0:37:05) Formidable Marinade (feat. Mikelangelo & Lance Horne) by Amanda Palmer off of Amanda Palmer Goes Down Under

A.P.

0:42:05 (Rev. Interruption 4 BackGround music: Last Nights Dream by Factor off of Chandelier)

We stared off with Flight Of The Conchords asking If You’re Into It. Then came Nancy Sinatra pining away for your Kinky Love. After her we had Matt Sweeney & Bonnie ‘Prince’ Billy from Superwolf with the song What Are You? And lastly was Michalangelo and the black sea gentleman (with Amanda palmer on piano) singing about a Formidable Marinade. 

  At least half of that set were joke songs because abnormal sexual proclivities can be easy to laugh at. But it’s hard to argue the fact that Kinky sex is pretty great. There’s so much trust involved in sharing those most intimate, possibly embarrassing parts of oneself with another. And possibly stretching your personal-boundaries a bit for another. Even those who have sex with lots of folks often save those deepest parts of themselves for those they can really trust. It’s a gift and a compliment. Now, is that way those songs are on here, or am I just cleaning out some leftovers from our International Fetish Day episode? Who’s to say. Either way, here’s some more Romantic Junk.  

0:44:50) Romantic Junk by Red Elvises off of Grooving to the Moscow Beat

0:47:55) How Fucking Romantic by The Magnetic Fields off of 69 Love Songs, Vol. 1

0:48:55) True Romance by Tiger Army off of Tiger Army

0:51:10) A Fine Romance by Ella Fitzgerald & Louis Armstrong off of Ella & Louis Sing Gershwin

0:55:00) A Rancid Romance by Diablo Swing Orchestra off of Sing-Along Songs For the Damned and Delirious

Tiger army0:59:25 (Rev. Interruption 5 BackGround music: Hero by Zion I off of Heroes In The City of Dope)

First we had Red Elvises with their sweet song Romantic Junk. Which was followed up by our second song from The Magnetic Fields this episode How Fucking Romantic. But this one was off of 69 Love Songs, Vol. 1. Then, because I haven’t played nearly enough psychobilly came Tiger Army, off their self titled album telling us about True Romance. Then came the always beautiful duet and crackling charisma of Ella Fitzgerald & Louis Armstrong, this time a little bit at odds in A Fine Romance. And lastly, continuing on that theme was Diablo Swing Orchestra with A Rancid Romance. Off Sing-Along Songs For the Damned and Delirious. 

And now for something perfect for this cheesy holiday. Recorded way back in 69, here is the sooth voice, of Arthur Prysock, asking you to Come Love Me.

Ap

1:00:50) Come Love Me by Arthur Prysock off of This Is My Beloved

1:03:20) Love Ain’t (f. Tonedeff) by Cunninlynguists off of Southernunderground 

1:07:20) This Love by Pantera off of Vulgar Display of Power

Cl

1:13:45 (Rev. Interruption 6 BackGround music: First Prelude by Factor & The Chandeliers off of Factor & The Chandeliers EP)

Well it’s just about time to bring this love-struck, punch-drunk episode to a close. And wether you’re alone, committed, both or neither, I truly hope that spending this time together has brightened your day a little. I know it has mine. 

Before the sweet sorrow of our parting, I leave you with a few more hymns. First we have Greg Brown from Songs Of Innocence And Of Experience, where he sets the poems of William Blake to music. Then we’ll have Shihan with a track called This Type Love from back in the old Def Poetry Jam days. 

According to Catholics Saint Valentine was beheaded some time in the third century, they also believe this to be a harsh punishment, as I look around today all I can think is, “Ha, Silly catholics.” And in honor of him and his day will end this show with the Suicidal Tendencies anthem, Won’t Fall In Love Today. 

1:15:20) The Garden Of Love by Greg Brown off of Songs Of Innocence And Of Experience

1:16:05) This Type Love by Shihan off of Def Poetry Jam

1:19:15) Won’t Fall In Love Today by Suicidal Tendencies off of Still Cyco After All These Years

 

Poetry
Bonus Track) It Wasn’t Me by Chuck Berry off of Rock’ N Roll Rarities

Music for the 25th Day of January

Listen Phuckers!

0:00:01) Enter Sandman (in the Style of David Bowie) by Anthony Vincent from Ten Second Songs

Los Neanderthals

1:05:00 (Rev’e First Interruption Music: Don’t Come Back by O’Death off of Outside)

Welcome to the twenty-fifth day of the chilly chilly month of January, Opposite Day! That’s why we began with that re-innovation of Metallica. That was by Mr. Anthony Vincent from the Youtube Channel Ten Second Songs. Obviously that was him channeling David Bowie and completely covering Enter Sandman – as if it was from Let’s Dance.

0:07:05) Space Oddity by The Neanderthals off of The Neanderthals In Space 

0:09:55) For Whom The Bell Tolls by Apocalyptica off of Inquisition Symphony

0:13:00) Rock and Roll by Rasputina off of Avant-Punk

0:16:20) Eleanor Rigby by Aretha Franklin off of The Very Best of the 60’s

0:18:50) You Ain’t Never Been Loved by Mark Growden off of Lose Me in the Sand

A.F.0:22:00 (Rev’e second Interruption Music: Hastings Street Boogie by John Lee Hooker off of The Blues Biography)

From Lose Me in the Sand that was Mark Growden flipping the script and turning the tables on the last great Aretha Franklin’s first single  I Never Loved A Man The Way I Love You. Then immediately previous to that was the Queen herself putting her own brand of polish on Eleanor Rigby. And jumping back before that we had the ladies cello society that is Rasputin covering Led Zeppelin’s Rock and Roll. And speaking of cellos, before that, just gloriously torturing beautiful, centuries old cellos was Apocalyptica classing up For Whom The Bell Tolls. And we started it all off with one of Eddie Angel of Los Straitjackets side-projects, from The Neanderthals In Space was a very surfy Space Oddity. 

Now here’s that Ten Second songs guy again, Anthony Vincent cramming 10 songs together in one person’s style, I wonder if you’ll be able to figure out who’s soul he’s borrowing. 

Hed ps

0:24:15) 10 Songs in the Style of Ozzy Osbourne by Anthony Vincent from Ten Second Songs

0:28:10) Crazy Train by Pat Boone off of In a Metal Mood: No More Mr. Nice Guy

0:32:35) Stayin’ Alive  by Ozzy Osbourne off of Prince Of Darkness

0:37:15) Sabbra Cadabra by (hed) p.e. off of Nativity in Black II

0:45:25 (Rev’e third Interruption Music: Rotary Connection by Rocket Juice & The Moon off of Rocket Juice & The Moon)

That discordantly lovely take on Sabbra Cadabra was from a Black Sabbath tribute album, and that wildness from (hed) p.e. and I just can’t get enough of the way it makes me wince. Before that we had Ozzy Osbourne reviving the Bee Gees Stayin’ Alive. It was a toss-up between that and the duet of Born To Be Wild he did with Ms. Piggy. And before that we heard from the pop, country, gospel singing, human glass of nice, wholesome milk that is Pat Boone. He outraged a lot of his long-term fans when he released his album In A Metal Mood: No More Mr. Nice Guy. From that was his revival of Ozzy’s Crazy Train. And as I said we stated it off with 10 Songs in the Style of Ozzy Osbourne. There were snippets of: Christina Aguilera, Toto, Enya, Linkin Park, No Doubt, Harry Styles, The Police, Kendricl Lamar, Papa Roach, and of course Sinatra.   

LD BB

0:42:30) WAP by Margo Price from The Daily Social Distancing Show

0:44:10) Boyz-N-The-Hood by Dynamite Hack off of Take A Bite Outta Rhyme

0:47:10) Can I Kick It? By LowDown Brass Band off of LowDown Breaks

0:51:10) Bring The Pain by Mindless Self Indulgence off of Tight 

0:54:50 (Rev’e fourth Interruption Music: Massage Parlor by Mike Patton off of Crank High Voltage)

Originally Method Man’s very first solo single, but this time from Mindless Self Indulgence’s first album Tight, that was Bring The Pain. Before that we heard the LowDown Brass Band, a marching band from Chicago, covering the Tribe Called Quest classic Can I Kick It?.Then, from the Rock Tribute to Rap album Take A Bite Outta Rhyme we heard Dynamite Hack’s serenading us with Boyz-N-The-Hood. And we set it all off with Margo Price giving us a twangy taste of WAP.

Ok, next is a metal Band from Madrid, Spain called A Blackened Sight giving us their take on… Kesha.

Ke<3ha0:56:10) TiK ToK by A Blackened Sight off of TiK ToK

1:00:10) Your Love Is My Drug by Johnny Dissent off of Tales From The Garbage Can: B-Sides & Singles

1:02:40) Die Young by Killing A Classic

1:05:40) Don’t Think Twice, It’s All Right by Kesha off of Chimes Of Freedom: The Songs Of Bob Dylan

1:09:30 (Rev’e fifth Interruption Music: Moments by Giraffage off of The Best Love Is Free Vol. 3)

Ok, that beautiful and breathy Bob Dylan rendition was of course by Ms. Kesha Rose Sebert. Immediately preceding that we heard Killing A Classic redoing Die Young. That tune it pay what you want on BandCamp, I’m sure I got it for 69 cents of something like that. Yes, Im also that guy who usually buy the Name Your Price alums for $6.66 too. Speaking of which, I believe the gentlemen before that, Johnny Dissent, all of his albums are name your price. Twaz his folk-punk-version of Your Love Is My Drug. 

1:11:35) Bohemian Rhapsody (in the Style of System of a Down) by Anthony Vincent from Ten Second Songs

 

Avv
Bonus Track )
Never… (in the Style of Korn) by Anthony Vincent from Ten Second Songs

Music for the The 18th Day of December

Listen To Meee!

0:00:01) INS Greencard A-19 191 500 by The Disposable Heroes Of Hiphoprisy off of Hypocrisy Is The Greatest Luxury

0:01:35) WanderLust King by Gogol Bordello off of Super Taranta!

0:05:30 (Rev. Wording 1 Background music: Tatarisher Longa by Veretski Pass off of The Rough Guide To Klezmer Revival) 

Kon’nichiwa, Hola, namaste, hei, Hello, bonjour, zdravstvuyte, chomreabsuor, Chao, halla, sawubona, merhaba, and welcome to the last page of the calendar my Aurally Fixated family. It is I Rev. yet again. If you’re still hearing me that means you’ve traveled with me through some far-out musical choices. Thank you that says volumes about your open-mindedness, and sense of adventure. Good. You’ll need both those things for the journey through out next 80 or so minuets together. Because today, the 18th day of December, is International Migrants Day. Just 1 out of 365 as a little reminder of the courage it takes, and adversities that need to be overcame, whenever one leaves all they know behind, aspiring for a better life. 

So, with this is mind, today we have for you a traveling tabernacle of tunes, and how could we’ve started it off with anything except that roving band of friends from all over the world Gogol Bordell. And what better song than WanderLust King off their stupendous Super Taranta! 

Ok, lets get down to it. How about a little globe-trotting. Say… Japan to Mexico to Australia to Finland? All in just over a dozen minutes. Think you can handle that break-neck speed? I’ve got faith in you.

0:07:25) Sweet Ticket by Kanon Wakeshima off of Shinshoku Dolce

0:08:40) El Jefe by Mexican Institute Of Sound off of Politico

0:11:55) You Me Bullets Love by The Bombay Royale off of You Me Bullets Love

0:16:25) Spring Dance by Korpiklaani off of Tales Along This Road

0:19:30) (Rev. Interruption background music 2: Bible and Bird by Wovenhand off of Mosaic)

I was once told, “if you’re unsure how to pronounce something, say it loudly. There’s no sense in compounding ignorance with sheepishness.” That being said, I’d be lying if I let you believe that, when choosing songs the suspected pronounceability played no part. Or that the amount of confidence in the way I say a foreign word has anything to do with how sure I am that It’s correct. And to prove both those points, that tune was Spring Dance from the Finnish folk-metal band Korpiklaani from Tales Along This Road. Before that we heard from an 11-piece Bollywood band, from Melbourne Australia called The Bombay Royale. We heard the title-track off their absolutely perfect album You Me Bullets Love. Prior to that we had a song from the Mexican Institute Of Sound with El Jefe. And we started to whole melting-pot of musics off with a Sweet Ticket to Tokyo with Kanon Wakeshima, or Wakeshima Kanon?

This next artist has his roots in the industrial scene of the late 80s which then morphed into a world-punk kinda thing in the mid-90s. Which culminated in him taking his laptop on the road, traveling the world and just playing and making music with the artists he came across. And that’s how this album came to be. This is a song about how he got sick of the American politics and wars, and the president at the Time George W Bush. King George the second, the boy king. Here is Tod A. and FireWater, with a song off the 100% perfect album The Golden Hour. This is Borneo.  

0:21:45) Borneo by FireWater off of The Golden Hour

0:25:15) Immigration by Doug Stanhope off of Deadbeat Hero

0:26:30) Baro (Feat. Bertrand Cantat) by Amadou & Mariam off of Folila

0:29:25) Hungarian Dance #5 by Red Elvises off of Surfing in Siberia 

0:32:25 (Rev. Interruption background music 3: Valses Venezolanos No.3 by Rita Honti off of 66 Must-Have Spanish Guitar Masterpieces) 

A lifetime or three ago I saw an unknown band preform. It was an electric night. First was a lad rapping, then a gal putting her interesting spin on folk, and some kids that sounded like generic radio rock. But then came on these three rough looking, middle-aged guys, each in a different color hideous pimp-suite, carrying instruments I couldn’t identify, and with such a loose grasp of the English language it kept slipping through their fingers. They were almost booed off the stage immediately. To make a long story short, by the end, both the too-cool-to-move hip-hop kids and rock folk were dancing together. Women were climbing over each other to get on stage and disrobe to a song called I Wanna See You BellyDance, and the only person in the whole place that wasn’t gyrating was me, transfixed, trying to figure out what magic-charisma those guys had. I never did figure it out, and haven’t had the chance to see them again. But I must. And so must you. I am of course talking about the Red Elvises the band we just got done hearing put a surf-rock spin on the Hungarian Dance #5. No they’re not Hungarian but Russian. Before Russia we were in the Western part of Africa, with “blind couple from Mali” Amadou & Mariam with their song Baro. Previously to that we had Doug Stanhope talking about Immigration from his hysterical Deadbeat Hero. And we started that slab of sound off with a song off the album everyone should own The Golden Hour by FireWater.  

Now I guess it wouldn’t hurt to take a little jaunt back to territory us Americans are a little more used to, Ireland. A place everyone should visit – if your liver has been bad, and needs to be punished.

0:35:10) Rebels of the Sacred Heart by Flogging Molly off of Drunken Lullabies

0:40:15) Dance Twist by Cambodian Space Project off of Rough Guide To Psychedelic Cambodia

0:40:50) 20 KM Al Giorno by Mike Patton off of Mondo Cane

0:45:40) Mis Amigas Las Plantas by RoCola Bacalo off of The Electro Swing Revolution

0:47;50 (Rev. Interruption background music 4: Pythagorean Hyphy Proof by Mochipet off of Master P on Atari)  

Welcome you back from Quito, Ecuador where that last song came from. Yes, they even have electro-swing on the equator. In fact they have it all over the world, and the compilation The Electro Swing Revolution proves it. That was the band RoCola Bacalo with the song Mis Amigas Las Plantas. Prior to that we had my personal lord and savior of music, Mike Patton singing 20 KM Al Giorno off his record of 50s and 60s Italian love songs, Mondo Cane. Then just before that we heard a newer psychedelic rock song called Dance Twist, from the band Cambodian Space Project. It’s good to hear a new generation of artists taking up the torch. When listening to the older stuff you just know your listening to ghosts. Between 1975-79 Pol Pot killed upwards of 3 million people, 25% of Cambodia’s population. And any musicians that sounded the least bit western found their way to those famous killing fields.

Anyway, we started that chunk of tunes in Dublin, with Flogging Molly and their anthem Rebels of the Sacred Heart. But now let’s change the tempo, language, and continent yet again with this pretty little ditty about mingling with other cultures. This is the title track off the Foreign Letters album by Ms. Chava Alberstein.

0:50:20) Foreign Letters by Chava Alberstein off of Foreign Letters

0:53:10) Tamacun by Rodrigo Y Gabriela off of Rodrigo Y Gabriela

0:56:35) Ode To Favouritism & Corruption by Merlin Shepherd Kapelye off of The Rough Guide To Klezmer Revival

0:58:20) Black Box Messiah by Diablo Swing Orchestra off of Pandora’s Pinata

1:01:10 (Rev. Interruption background music 5: Prelude by Bonobo off of Black Sands)  

You may recognize that beauteous band from back at the end of September, from International Blasphemy Day. But let’s face it any day is the right holiday for Diablo Swing Orchestra. From their album Pandora’s Pinata (and from the country Sweden) that was a tune called Black Box Messiah. Before that we heard a klezmer tune called Ode To Favouritism & Corruption from the Welsh-Russian group Merlin Shepherd Kapelye. The impressive resonance immediately prior to that was the Mexican guitar duo Rodrigo Y Gabriela from their self-titled record, with Tamacun. 

This is the point on our journey where we begin to think about it coming to an end. But there are a few more stops along the way. First to South Africa where Ladysmith Black Mambazo were kind enough to let Ms. Natalie Merchant accompany them on their harmonies of Rain Rain Beautiful Rain.   

1:02:30) Rain Rain Beautiful Rain by Ladysmith Black Mambazo featuring Natalie Merchant off of Long Walk to Freedom.

1:05:30) Frigor Story by Figli di Madre Ignota off of Combat Disco Casbah

1:09:45 (Rev. Interruption background music 6: No Memory by Stone Temple Pilots off of Core) 

That fun little slop mixture of; middle-eastern, eastern-europeans, balkan, polka, was obviously an Italian band. (You might’ve heard a little tarantella in there too). That was Figli di Madre Ignota with Frigor Story. Off the album that produced by the aforementioned Tod A. From Cop Shoot Cop and FireWater. It’s a good one from first note to last. It’s celled Combat Disco Casbah. And of course, as you know, we started it all off with those beautiful Zulus, Ladysmith Black Mambazo. 

Well, that about does it for out little trip around the world. Now we’re headed for Brazil, for 2 songs. The first from 1976 by Jorge Ben Jor one celled Um ba barauma. Then we’ll ride off into the sun… listening to Soulfly. 

So again thank you again for sharing this hour and 20 minuets, I hope it was as good for you as it was me. I’ve been Rev. This has been Aurally Fixated, And you’ve been perfect.

1:11:00) Ponta De Lanca Africano (Umbabarauma) by Jorge Ben off of Brazil Classics 1: Beleza Tropical  

1:14:45) Umbabarauma by SoulFly off of SoulFly

Video for FireWater Golden Hour Teaser

Music for The Third Sunday in November

Listen to Meee!

0:00:01) All Aboard! by The Ford Theatre Reunion off of Calavera Catrina

Unknown0:04:40 (Rev’s interruption background music 1: The Magic Flute: Theme & Variations Op.9: II. Var.5 and Coda by Georgi Moravsky off of 66 Must-Have Spanish Guitar Masterpieces)

Now that; ladies, gentleman, and all points in-between, is a perfect way to start this show. And not just because those are some really fun and interesting musicians, who know how to slap the hell out of their instruments, but also because that song was called All Aboard, and this, the third Sunday in November is World Day of Remembrance of Road Traffic Victims. That was The Ford Theatre Reunion. I’m Rev. You are you, and we are Aurally Fixated. 

When I was little I asked my mother why there were so many old songs about car crashes. She said cars used to be much less safe and thusly everyone knew at least one person who died in wreck. What started that conversation was this next tune, my very first “favorite song.” A depressing number with a bouncy melody. This is J. Frank Wilson and the Cavaliers telling us all about their Last Kiss.

0:05:05) Last Kiss by J. Frank Wilson and the Cavaliers off of Last Kiss-the Definitive Collection. 

0:08:25) Leader Of The Pack by The Shangri-Las off of The ’60s Hits.  

0:11:10) One For My Baby (And One More For The Road) by Etta James off of The Chess Box.  

0:14:30) (Rev’s interruption background music 2: Star Seed by Kristoff Krane off of Kairos – Part Two)

  Naturally what my mother didn’t tell be about the car crashes of her youth, was things like that last song by the incomparable Etta James. That heartbreaker was called, One For My Baby (And One More For The Road) Back in the day “One for the road” was a common saying used when leaving a bar, restaurant, or friend’s house. It meant you’d need one more alcoholic beverage before getting behind the wheel, just to make sure there was no chance of you sobering up before you got to your destination – and having your nightcap. Yes, it was a crazy lawless time and if you survived relatively unscathed, you didn’t live it properly. 

Anyway, before the flawless Ms. James we had the very dramatic classic Leader Of The Pack by The Shangri-Las. And of course we kicked it all off with the original version of Last Kiss.

Cars today handle better, stop better, and have all sorts of safety features the average person doesn’t have the first clue about. And that they crumple like old pieces of paper means the automobiles now take the damage the drivers and passengers used to, No, today we die on the roads for a-whole-nother reason.

0:15:55) Drive By Shooting by Henrietta Collins and the Wife Beating Child Haters off of Drive By Shooting.

0:17:55) Blow ‘Em Away by David Wilcox off of East Asheville Hardware [Live].

0:20:45) Behind The Wheel by Louis C.K. off of Oh My God.

0:23:30) Road Rage by HillBilly HellCats off of Our Brand.

0:25:40 (Rev’s interruption background music 3: Tsu Der Khupe by Budowitz off of The Rough Guide To Klezmer Revival.

There’s a chance you recognized the voice that kicked that chunk of music off as the great Henry Rollins.That was from an EP he did in his time in limbo after leaving Black Flag and before starting Rollins Band. The record was named Drive By Shooting, and the band was Henrietta Collins and the Wife Beating Child Haters.

After that we heard a fun and folky little ditty about highway-murder by David Wilcox called Blow ‘Em Away off his great live album East Asheville Hardware. Then we had something else. And we topped it all off with another fun song about about, “Road Rage” from the HillBilly HellCats off Our Brand.

Tension behind the wheel can be dangerous. Whenever I get frustrated I remind myself I’m in a comfy, climate-controlled environment, with all my favorite music at my fingertips. And sometimes a friend or 2 to help me pass the time. I just lean back and pretend we’ve, No Particular Place to Go.

0:27:00) No Particular Place to Go by Chuck Berry off of St. Louis to Liverpool. 

0:29:40)  Honk If You Are Horny by DJ Bomba off of So What?

0:34:25) Highway Delight by Ron White off of You Can’t Fix Stupid.

0:35:00) Passenger by Deftones off of White Pony.

0:40:40 (Rev’s interruption background music 4: Luv Dirge #2 by Viva Le Vox off of Luv Hungry Part 1)

We started that chunk of music off with Chuck Berry and a ballad of driving-angsts with, No Particular Place to Go. Then we followed that up with Honk If You Are Horny by Andrew Galea under the nom-de-plume DJ Bomba off So What?. Following that we had a little bit from Ron White entitled Highway Delight. And we wrapped it all up with a duet, a love song, between Maynard and Chino. When the question of  cash, grass, or ass came, we know exactly which they chose. That was Passenger off of the Deftones album White Pony.

Dearest listener remember, staying awake and alert is essential to not wind up a road traffic victim remembered on this day. In my younger days I’d drive no matter how long, far, or dangerous – for reasons I can’t even remember why now. I’d just keep going until I’d start hallucinating and see Shadows On The Road like Tech N9ne does,

0:42:20) Shadows On The Road by Tech N9ne off of K.O.D.

0:46:20) Tonight Is the Night I Fell Asleep at the Wheel by Barenaked Ladies off of Maroon (Bonus Track)

0:50;05) Asleep at the Wheel by BloodHound Gang off of One Fierce Beer Coaster.

0:54:00 (Rev’s interruption background music 5: Alanson, Crooked River by Sufjan Stevens off of Michigan)

Whenever I hear the BloodHound Gang shout “Get up you’re Asleep at the Wheel” I panic and a part of me wonders if I’m dreaming whatever I’m doing, and that’s a friend’s yelling from the passenger seat trying to rouse me. Anyway, before that we had Tech N9ne telling us about his fear of the Shadows On The Road. He seemed a little more mystified by them than I was, I just chalked it up to seep dep and sped on. Nowadays though I always pull off to a rest stop or something, maybe even, if I can find one, a RoadHouse.

0:55:20) RoadHouse Blues by John Lee Hooker & Jim Morrison off of Stoned Immaculate: The Music of the Doors.

1:01:55) Pit Stop (Take Me Home) by Lovage off of Music To Make Love To Your Old Lady By.

1:05:45 (Rev’s interruption background music 6: Interlude Two by Cunninlynguists off of Southernunderground [Deluxe Edition])

Again we heard a tune or a voice that you almost recognized. RoadHouse Blues, although a little different version. That’s from a compilation of Doors; covers, outtakes, and remixes called Stoned Immaculate: The Music of the Doors. It has some real gems, like hearing John Lee Hooker and Jim Morrison singing together. And following that was my personal patron Saint of Music, Mr. Mike Patton with one of his countless side-projects. This one was with Jennifer Charles and Dan the Automator, called Lovage. The album? Music To Make Love To Your Old Lady By. The song, another silly little love song called Pit Stop (Take Me Home). 

It’s said that America has a love-affair with the car, that becomes clear listing to all these songs intermingling intimacies and automobiles. Ms. Rosetta Howard was even doing it 80 years ago, and she didn’t even have a car to compare her relationships to, so she made the observation that, ”Men Are Like Street Cars.

1:07:15) Men Are Like Street Cars by Rosetta Howard off of Those Dirty Blues Volume 1.

1:09:35) Crosstown Traffic by The Jimi Hendrix Experience off of Electric Ladyland.

1:12:00) Ignition by Bonnie ‘Prince’ Billy and Matt Sweeney – Superwolf Live 10 Oct, 2004.

1:16:30 (Rev’s interruption background music 7: Inter-lude by Leftover Crack off of Mediocre Gererica

I haven’t the foggiest notion of where I got that version of Ignition by Bonnie ‘Prince’ Billy and Matt Sweeney. One day there was just a Superwolf bootleg on my computer, and I’m glad for it. The Superwolf album is a heavy one so it’s nice to hear to him bounce his way through that cover. And immediately before that was The Jimi Hendrix Experience with  Crosstown Traffic report. And Ms. Rosetta Howard got the ball rolling with a song off a fun compilation of old songs I was lucky enough to come across called Those Dirty Blues Volume 1. 

Now our time together had just about to come to an end. We’ve one final song to leave you with. Off their album Necio Nights, and I believe Necio means foolish? Here is Piñata Protest with DUI. 

1:17:50) D.U.I. by Piñata Protest off of Necio Nights 

Too Drunk to Drive Drunk by Joe Louis Walker off of Blues’n Booze

Music for The 10th Day of October

Prologue: Before we begin I Just want to say, I goofed. If there was one song/video that should have made it into this episode it’s this wonderful one that I somehow forgot. So please pregame with this. Thank you ~ Rev.

 

Listen Now

0:00:01) Gila Copter by Revolting Cocks off of Linger Ficken’ Good

1d37ff9e45d60d7dd84fce4631f8b80f794e295b

0:05:50 (Rev. Interruption background music 1 Sail Along Silvery Moon by Billy Vaughn off of 50s Jukebox Hits)

I’m not sure if you recognized that old wackadoo’s voice. It’s the man who is credited with singlehandedly ruining hallucinogens for clinical research. Timothy Leary. The band behind him is the industrial super-group you may remember from The First of May, Revolting Cocks, of who Ministry’s Al Jourgensen was a seminal member. For more than 20 years Mr. Jourgensen was a world class, and world famous junkie. During those dark days Leary let him stay with him when no one else would – if Al would let him experiment on him with all the weird shit people mailed their “drug-guru” from around the world. From the snippets I read from Jourgensen’s autobiography it sounds like Hell.

If Leary’s voice sounds familiar it maybe because Tool used it at the beginning of Third Eye when playing it live. I remember seeing them in the late 90s. They opened with that song. And the sample of Leary saying “Think for yourself” “Question Authority” over and over again. It’d repeat until everyone in the crowd starting chanting, in unison “Think for yourself” “Question Authority” over and over again. Yes even I fell for it. Well played Tool. What a way to start a show – with a bruised ego. 

Anyway, here’s a song called Anxiety by a man who got his stage -and album name from his skin abnormality. This is Krizz Kaliko from Vitiligo.

0:07:55) Anxiety by Krizz Kaliko off of Vitiligo

0:11:45) Paranoid by Shel Silverstein off of Songs And Stories

0:13:10) Over Paranoid Over Privleged Blues by Viva Le Vox off of Luv Hungry Part 2

0:17:20) Nerve Quake by Lubricated Goat off of The Great Old Ones

0:19:45 (Rev. Interruption background music 2. Life Is Shorter by Ui off of State Of The Union)

When I made this play-list, for World Mental Health Day it wasn’t to treat “crazy” like it was a fun place to go, like so many songs do, or to poke fun at it, or – if I’m being completely honest, take it too seriously either.

Anyway, the noise we just got done getting drilled by was a tune called Nerve Quak by perhaps my favorite band name Lubricated Goat. Before that was Over Paranoid Over Privileged Blues by Viva Le Vox an insanely fun band, especially to see live. And before that was Shel Silverstein being Paranoid. Now to use the magics of technology and music to see if we can call up some lighter emotions.

0:20:55) My Pain Keeps Me Regular by Edward Thomas Herrera off of Grand Slam! Best Of The National Poetry Slam – Vol. I

0:23:15) Your Worries Ain’t Like Mine by Sweet Honey In The Rock off of Live at Carnegie Hall 

0:27:45) My Poor Friend Me by Bad Religion off of Recipe For Hate 

0:30:25) Hurt Like Mine by The Black Keys off of Thickfreakness

0:33:50 (Rev. Interruption background music 3. Frotting with Ennio by Lubricated Goat off of The Great Old Ones)

I bet when you heard the first few moments of that first track you were wondering “How is this any better?!” Well, as they say, pain is mandatory, suffering is optional. Viktor Frankl, a holocaust surviver said “The one thing you can’t take away from me is the way I choose to respond to what you do to me.” Sometime we can only say that to Life itself, and have to respond with a little humor. Anyway, that funny track, about the mental trap we all’ve fallen into was from an album called Grand Slam! Best Of The National Poetry Slam – Vol. I. A fun one if you’re into that sort of thing. And the artist was Edward Thomas Herrera. After that we had some Sweet Honey In The Rock, Live at Carnegie Hall telling us how Your Worries Ain’t Like Mine. Then came Bad Religion singing about My Poor Friend Me. And finally we heard Hurt Like Mine from the Black Keys’ album Thickfreakness.

Ya know, it does feel strange to use World Mental Health Day as an excuse to celebrate, but here we are, together yet again, you and I, In My Head.    

shack_shakers1_photo_by_james_dechert

0:35:15) In My Head by Tech N9ne off of Everready: The Religion  

0:39:40) Demon Tied To A Chair In My Brain by Dax Riggs off of We Sing Of Only Blood Or Love

0:41:50) Where Is My Mind? by Pixies off of Wave Of Mutilation: Best Of Pixies

0:45:30) Help Me From My Brain by Th’ Legendary Shack Shakers off of Cock A Doodle Don’t

0:47:45) (Rev. Interruption background music 4. The Magic Flute: Theme & Variations Op.9: II. Var.5 and Coda by Georgi Moravsky off of 66 Must-Have Spanish Guitar Masterpieces)

We started that tangle of tunes off with a song calledIn My Head by Mr. Tech N9ne. After which we heard an offering from Dax Riggs’s pretty perfect record We Sing Of Only Blood Or Love. That was of course the very cool titled Demon Tied To A Chair In My Brain. Then was the Pixies wondering Where Is My Mind? And lastly we heard from Th’ Legendary Shack Shakers (who put absolutely amazing, staggering, live shows) with Help Me From My Brain off of Cock A Doodle Don’t.

This next song is one I remembered from my youth and went out in search for especially for this show, and boy I’m glad I did. It’s a modernized version of a popular old Vaudeville routine where a person is triggered by a specific word or phrase. See if you can guess what it is for the gentlemen from Scatterbrain, in this ballad entitled Don’t Call Me Dude.

0:49:10) Don’t Call Me Dude by Scatterbrain off of Here Comes Trouble

0:54:20) Insane Asylum by Koko Taylor off of The Chess Box

0:58:35) Institutionalized by Brak off of Dr. Demento Covered In Punk

1:02:55) (Rev. Interruption background music 5: Little or No Concern by Zavala off of The Dark Time Sunshine Vessel Instrumentals)

That never gets old – for me. If you don’t like it you can skip ahead to the next song, that’s why I put the start-times on the site. To those out there wondering what that was, that was the alien super-villain Brak from the old Space Ghost cartoon re-enovating the Suicidal Tendencies classic, Institutionalized. I loved that angsty anthem as a teen. Now, the grown part of me thinks “Geeze, stop acting like a little punk, you’re family loves you just wants to help.” I guess I’m getting old. Before Brak we heard the Insane Asylum by Koko Taylor. What an amazing piece of sound-craft. That came from an wonderful box set from Chess Records dedicated to the wordsmith Willie Dixon. All songs he wrote preformed by; Howlin’ Wolf, Muddy Waters, Bo Diddley, Little Walter. It’s a beautiful thing. And as I mentioned we began that chunk of uproar off with Scatterbrain from their 1990 release Here Comes Trouble asking us please Don’t Call Me Dude. So now I’m going to play some stuff than then play the same song twice to make you start to wonder if your losing you mind. 

circus

1:06:20) We’re All Mad by The Circus Contraption Band off of The Half-Wit’s Descent

1:09:35) Lookin Out My Back Door by Creedence Clearwater Revival off of Cosmo’s Factory

1:12:05) Crazy Kids by Ke$ha off of Warrior

1:15:50) Crazy Kids by Who’s On First? 

1:19:35 (Rev’s Interruption music 6: Papers (Hades Finds Out) by Anais Mitchell off of Hadestown)

Tiz I, here once aging to answer all those questions you’ve been afraid to ask – in spite of how much you think you don’t want to know the answer! For instance, “what would a revival of the Ke$ha classic Crazy Kids sound like if done by a French Metal band?” Well, my love’s, there you have it.Tthat was Who’s On First? Before that we had Creedence Clearwater Revival called Lookin Out My Back Door. And as I mentioned we stomped our way into that set with The Circus Contraption Band Assuring us that We’re All Mad from the awe-inspiring recording The Half-Wit’s Descent. Speaking of which 

Imani-Coppola

1:21:00) Jacob by Insane Clown Posse off of Action Figure Limited EP

1:26:00) I’m Going Slightly Mad by Queen off of Greatest Hits II

1:30:50) Crazy by Gnarls Barkley off of St. Elsewhere

1:33:00) Mind Of The Monkey by Imani Coppola off of The Protagonist

1:35:00) (Rev’s Interruption music 7: Ode To Favouritism & Corruption by Merlin Shepherd Kapelye off of The Rough Guide To Klezmer Revival)

Back when I was into meditating, a lot of what the masters spoke about was “quieting your chattering monkey mind” The monkey mind is the voice inside your head that hates silence and just talks and talks loud without saying nothing. A lot of beginning meditation is about learning how to take control of the monkey mind. Anyway, that was just Mz. Imani Coppola with Mind Of The Monkey. Before that of course we had that fun old radio hit Crazy by Gnarls Barkley. And immediately preceding that we had the Queen with I’m Going Slightly Mad. Those two were kinda an apology for those who hate the Insane Clown Posse so much they did their damndest to try and not to laugh at Jacob.

I know there are countless songs that make being “crazy” sound fun or “funny” but It’s not, I’ve seen it close-up as far back as my memories go. It can be torturous and heartbreaking even to watch. So if you know someone with serious mental illness, try and be there for them whenever they need you, as much as you can. Even today there’s still way too much stigma around it. But if you do need help don’t be afraid to ask. There are people out there who do care and who can help, just give them a chance. And I know that may sound strange from the person using World Mental Health Day as and excuse for a holiday to play songs that contradict much of what I just said, and I make no excuse for my actions, because there are none.    

1:36:50) Boom Boom (Ain’t It Great To Be Crazy) off of The Chicken Dance & Other Silly Songs

1:39:10) Blow Up Your Mind by The Cramps off of Look Mom No Head

1:43:30) The Annoying Song by Butthole Surfers off of Independent Worm Saloon

1:46:10) TV II by Ministry off of Psalm 69: The Way to Succeed and the Way to Suck Eggs

1:49:10) (Rev’s Interruption music 8: Live It Up by LowDown Brass Band off of LowDown Breaks)

Do you remember that Tim Leary story I told back at the start of the program? That song came from the twisted mind of that guine-pig  Al Jourgensen. From a classic and influential album from my youth; Psalm 69: The Way to Succeed and the Way to Suck Eggs, that was Ministry with TV II. Imagine my young surprise when I coincidentally found Chapter 69 in an Aleister Crowley book called The Way to Succeed and the Way to Suck Eggs. And it wasn’t until thinking about it just now that I get the joke. Suck-seed and suck-eggs. 69. He always had a surprising sense of humor – for a devil. And to ease you into that devil music we had another tune from an album from around that time, from the Independent Worm Saloon that was Butthole Surfers with The Annoying Song. And remember that Tim Leary story I just reminded you of, that song came from another one of his guine-pigs Gibby Haynes. And before The Annoying Song we had the one and only Cramps with Blow Up Your Mind. I can’t believe I have’t played them since International Fetish Day back in January! And we started it all off with a CD I found at a garage sale for 50 cents, It’s Silly Songs by Fisher Price and from that we heard Boom Boom (Ain’t It Great To Be Crazy).

Now, from freshman year. This is Hop Along, Queen Ansleis Singing Of My Brothers and the Bear.

Hop_Along_

1:53:50) Of My Brothers and the Bear by Hop Along, Queen Ansleis off of freshman year

1:57:35) All The Madmen by David Bowie off of The Man Who Sold The World

2:03:05) My Mind Playin Tricks On Me by Geto Boys off of We Can’t Be Stopped

2:08:15 (Rev’s Interruption music 9: (A Ride With Satan’s Little Helpers by

Lords Of Acid off of Farstucker (remastered band edition) )

That was My Mind Playin Tricks On Me by the Geto Boys a track describing the loneliness, paranoia, PTSD, and suicidality in the life of a gangster. Before that was David Jones. From The Man Who Sold The World that was All The Madmen. And we started it all off that that fun, strange, and beautiful number Of My Brothers and the Bear.    

That just about does it or this episode of Aurally Fixated. Just one more song and since I haven’t played enough electric dance music so far on this show I’ll leave you with Infected Mushroom and their particular flavor of lunacy, explaining how they’re Becoming Insane

So until next time, or never, whichever comes first. Try and take care of yourselves. Try and take care of each-other. 

2:09:45 Becoming Insane (Album Mix) by Infected Mushroom off of Vicious Delicious

infected mushroom

The Last Words Of Dutch Schultz (This Is Insane) by William S. Burroughs & Disposable Heroes Of Hiphoprisy off of Spare Ass Annie And Other Tales

Music for The First Monday of September!

Listen To Meee!

0:00:01) Labor Day (It’s A Holiday) by The Black Eyed Peas off of Elephunk
peas 20110:04:00 (Rev. Interruption 1 Music: Sedagive by The Mag Seven off of End Sounds Ten Year Anniversary Sampler)

Greetings fellow travelers. Welcome again to  Aurally Fixated. I’m Rev. and here to give you the unorthodox aural pleasure you love… Anyway, I hope I don’t have to tell you what today is because, firstly that would mean you missed the blaring call of the Elephunk and The Black Eyed Peas Telling us it’s Labor Day. But more importantly I hope you know (It’s A Holiday) because if you work for somebody else you should have today off! And be celebrating. You’ve earned it for busting your ass to keep the economy and country grinding So The Rich Can Sleep at night. And a lot of blood, sweat, tears, and lives were given so we could have the labor laws and labor unions we get to take for granted today, this very important day, one of the holiest of occasions… One of only a half-dozen of the most Ginormous blow-out Sales events of the year!
ButtHole0:05:30) So The Rich Can Sleep Tonight by Sole with Solillaquists Of Sound off of Nuclear Winter Volume 1

0:10:00) Career Opportunities by The Clash off of The Clash

0:11:50) Big Boss Man (R&B Version) by Elvis Presley off of The Essential Elvis Presley
0:14:40) I Love My Job by Bill Hicks off of 1990 Dangerous
0:16:10) I Hate My Job by Butthole Surfers off of Humpty Dumpty LSD
0:18:10 (Rev. Interruption 2 Music: Some Summers They Drop Like Flies by Dirty Three off of Whatever You Love, You Are )

One can always count on those Butthole Surfers to keep them on their toes! From Humpty Dumpty LSD, a compilation of there mid-80s – 90s lost and found, that was I Hate My Job. Before that was a ghost always making waves around our little noise-altar Bill Hicks telling us, I Love My Job.” Prior to that we had King Presley singing for his Big Boss Man. Right before that is a perfect example of why The Clash are THE CLASH with Career Opportunities. And we started it all off with a Sole track from Nuclear Winter. Which in additions to the Solillaquists Of Sound it’s also got; Ceschi, Astronautalis, Bleubird… And It’s “pay what you can” on BandCamp. That anthem was called, So The Rich Can Sleep Tonight.

It’s Labor Day, that very important day… the last day you can wear white, without the Fashion Police curb-stomping it crimson. (Unless it’s “winter-white” of course). And it celebrates us, the cogs in the machines… In the digital age do machines even still have cogs? It doesn’t really matter, workers are being replaced by robots anyway. That’s just one reason some say we’re on the verge of another gilded age.  Gilding is the process of taking something basically worthless and covering it with a thin layer of gold-leaf. Not really any better, but Ooooh Shiny! The first Gilded Age was about 100 years ago, and an unprecedented time of rich getting richer and poor poorer. The business and country were doing great, but the workers and majority of the population not so much. The captains of industry, robber-barons, had a way of dividing and conquering the workers. Pitting them against each other to work longer hours, in unsafe jobs, and only hire whoever’d do the most for the least pay. So having enough of nothing (but starving and dying in the; mines, mills, and factories) manual-laborers got together and discussed how to improve things, and what to do about Those Greedy Bastard.
image-asset0:20:40) Those Greedy Bastards by Imani Coppola off of Come and Get Me…What?!
0:23:32) Stupid’s Pledge by Utah Phillips & Ani DiFranco off of Fellow Workers
0:23:45) Never Learn by Devil Makes Three off of Longjohns, Boots and A Belt
0:28:35) Work Song By Baracuda Young Fish (feat. Ceschi, NGAFSH & Child Actor) off of Diamonds On My Cereal
0:32:45 (Rev. Interruption 3 Music: Gun (Instrumental) by Cunninlynguists off of Dirty Acres [Deluxe Edition] )
Ok, all my hard-workers out there, and my “work smarter not harder” ones too, it’s “one of those episodes” again. Like the Stonewall Uprising one just less fun. But before I dance back up atop my soapbox-pulpit I’ve gotta say, isn’t Mz. Imani Coppola just so funderfully versatile! You may remember some snippets of her strange perfection from New Years Day, and/or, The last day of Black History Month. Or about a dozen minutes ago. We started that set off with one of her countless so-hard-to-find-they-aren’t-even-on-YouTube albums. I tracked down a treasure-trove of her tunes, for disgustingly cheap on NimBitMusic.com. We heard one about Those Greedy Bastards. From there we marched on with the ol’ labor organizer, folk singer, one man revolution, Utah Phillips. We heard Stupid’s Pledge from one of the records he did with Ani DiFranco called Fellow Workers. Then up jumped the Devil Makes Three who told they’ll Never Learn. And we ended with a Work Song from the practically magical in every way Ceschi and Child Actor. I got that one off the compilation album his label (Fake Four) put out to stay afloat while he was locked up. And speaking of Ceschi, Direct Action!

ceschiWay back then, it seemed Impossible to make the rich, ruthless, and unscrupulous business-heads listen, especially with both political parties taking bribes and serving their interests. Richer than even today’s billionaires they thought they could do whatever they wanted, and were right – until the workers got together and bargained collectively. They could fire one for wanting a living wage and safe conditions, but couldn’t fire them all. The laborers unionized and refused to go back to work until their demands were met.

It was a fascinating and crazy time of Social and political upheaval. Strikes, riots, picket lines, scabs, boycott, and terror. But it was also the beginning of the end of the conspiracies, monopolies, and corruption of that Gilded Age being the norm, and the beginning of the Progressive Era. And it’s why we have this very important day… that marks the beginning fall sports season! But it took a lot of Direct Action and standing up to the Robber Barons as they pushed-back with violence and murders from police, mercenary Pinkertons and the National Guard deployed by corrupt officials. So here’s a song called The ’69 Strike.
0:36:00) The ’69 Strike by Tigerman WOAH! Off of Tigerman WOAH!
0:39:35) Unless You Are Free by Utah Phillips & Ani DiFranco off of Fellow Workers
0:39:55) Jerry by Louis Armstrong & Jewel Brown off of Louis Armstrong All Stars
0:44:20) Bossman by Voodoo Glow Skulls off of The Potty Training Years
0:45:55) Rich Man’s World (1%) by Immortal Technique off of The Martyr
0:50:30 (Rev. Interruption 4 Music: Casella Walk from Dap-Dippin’ with… Sharon Jones and The Dap-Kings)

It wasn’t easy choosing a song from TigerMan Woah! “Should it be Wage Slave, or Mr. Peabody’s Mine, or Factory Boys, or Workhorse Warehouse” Tough call, but The ’69 Strike won. They’re a band that was made for a day like today. After we heard from Utah & Ani Again with Unless You Are Free. Then we heard about Jerry from the staggering voice of Mz. Jewel Brown. She was kind enough to lend her pipes and spice up a number by Ol’ Sachmo himself, King Louie Armstrong. Then came fourth a tidal wave of ska from the Voodoo Glow Skulls was Bossman. And finally, another gentleman who was made for days like today, Immortal Technique. From The Martyr we heard Rich Man’s World (1%), speaking of which…

Trying to wrestle their lives from the sweaty claws of the Rich-Man the workers got together and resisted and fought in every way they could think of. And after a long struggle they eventually won. And got the laws we take for granted today; minimum wage, child-labor laws, an 8 hour work day, overtime pay, safety regulations, workman’s comp. The right to join a union without being fired.  Social security so you don’t have to work until you die. The 5 day work week…

But of course, you give a monster a cookie… No sooner than Those Damn Blue Collars didn’t have to work all 7 days a week did they ask for another one off! Every year! A payed holiday no less! Greedy bastards. A day to celebrate workers?! Smack dab between the Fourth of July and Thanksgiving we get Labor Day. A very important Day… because you get to hear my voice. And some music too I suppose.

0:53:10) Get a Job by The Silhouettes off of Philadelphia Pop: Rockin’ and Croonin’ on Bandstand, 1957-1959
0:55:55) I Work Hard by Pillowfight off of Pillowfight
0:59:25) How Much Do You Pay? By Oliver Hart off of The Many Faces Of Oliver Hart

1:04:25 (Rev. Interruption 5 Music: If You Stayed Over (Instrumental) by Bonobo off of Days to Come)
Hello again all you out there in listening-land, tiz me again, Rev. from Ranting-land, reminding you to never forget that the fact we have all those hard-won laws means if your bosses’ bosses could get away with doing/giving you less, they most certainly would. And the government didn’t pass them out of the goodness of its cursed little heart, people got together, and refused to work, and protested, and rioted, and sabotaged, and made them listen.

So that last song was a thinker, wasn’t it? It was by a man called Eyedea. From an album called The Many Faces Of Oliver Hart, his solo, self-produced one by the late Eyedea from astounding Eyedea & Abilities. Talk about lost potential. Why do opiates hate good music so much?

EyeBefore the broken Hart hymn, How Much Do You Pay? we had a Pillowfight telling us “I Work Hard.” Their album is produced by Dan The Automator and that comes through loud and clear. If you’ve heard Lovage or Deltron 3030, or some of his 100 other projects you know what I mean. And we plowed into that slab of sound with Get a Job by The Silhouettes. A #1 hit back in the late 1950s that inspired an impressive amount and imitators, everyone from Smokey Robinson & The Miracles to… Ya know what? Here are The Tempos with I Got A Job
charles-young1:06:40) I Got A Job by The Tempos off of Malt Shop Parody Songs – Doo Wop Sensations
1:08:25) I’ll Do Anything But Work by Ray Charles off of Anthology
1:10:50) Fuck Work by Asylum Street Spankers off of The Last Laugh

1:13:50 (Rev. Interruption 6 Music: To The Workers Of The Rock River Valley Region, I Have An Idea Concerning Your Predicament by Sufjan Stevens off of Come On Feel The Illinoise!)

You may remember those Asylum Street Spankers as the band that cracked open our Beer episode, and here they were again with Fuck Work. Which was led into by a very young, and in my opinion Nat “King” Cole sounding Ray Charles, with I’ll Do Anything But Work.

Now it’s time to start wrapping up this episode, about this very important day that traditionally brings the summer to it’s unofficial close. But I’m going to leave you with a Song written in 1931.

One night when the cops broke into the home of a guy who was organizing a union to intimidate him, they only found his wife and children so terrorized them instead. They though this would get him to back down. But after which, with no paper in sight, the calendar was taken down off the wall and on its back, the wife and mother who had endured while her husband was off hiding somewhere, wrote this song. Since then it’s been adapted and covered by a crazy array of folks; Natalie Merchant, Talib Kweli, Dropkick Murphys, B. Dolan, Rebel Diaz (ft. Dead Prez and Rakaa Iriscience of Dilated Peoples), Ani DiFranco, just too many to list. And, of course, Pete Seeger recorded his version back in 1940 so he often gets credit. But I just wanted you to know that this was written by Florence Reece.

1:15:40) Which Side Are You On by Natalie Merchant off of Seeds: The Songs Of Pete Seeger, Volume 3

Flo Reece
1:20:30)
Which Side Are You On (ft. Kendra Ross & Tef Poe) by Talib Kweli & 9th Wonder off of Indie 500

1:24:50) Which Side Are You On by Dropkick Murphys off of Sing Loud, Sing Proud!

1:27:15) Which Side Are You On by B. Dolan off of House Of Bees Vol 2

1:31:10) Which Side Are You On (ReMix) by Rebel Diaz ft. Dead Prez and Rakaa Iriscience off of Radical Dilemma

1: 36:20) Which Side Are You On? By Ani DiFranco Feat. Pete Seeger off of Which Side Are You On?

Music for The First Friday in August

~ International Beer Day ~

Listen To Meee!

0:00:01) Beer by Asylum Street Spankers off of What? And Give Up Show Biz?

Spank

0:03:40) Rev. Interruption 1 Music: The Sleep by Psychotica off of Psychotica

0:05:00) I Ain’t Drunk by Albert Collins off Blues’n Booze 

0:09:05) Beer Ain’t Drinkin’ by Mojo Nixon off of Gadzooks: The Homemade Bootleg

0:12:05) Long Island Iced Tea, Neat by The Coup (feat. Japanther) off of Sorry To Bother You  

al collins

0:14:10) Rev. Interruption Music 2: Goldberg Variation #1 by Glenn Gould off of Bach: The Goldberg Variations (1955 Version)

0:16:00) Jockey Full Of Bourbon by Tom Waits off of Rain Dogs

0:18:40) Bourbon in your eyes by Devil Doll off of Queen of Pain

0:23:23) Bourbon & Division by Firewater off of Get off the Cross…

devil doll

0:26:45)  Rev. Interruption Music 3: Swedish Wedding March by Andrew Bird’s Bowl of Fire off of Thrills

0:29:15) Sloppy Drunk by B. B. King off of King Of The Blues (Box Set)

0:32:15) Drink Drank Drunk by The Atomic Fireballs off of Torch This Place

0:35:10) Drunk Tank by Voodoo Glow Skulls off of Firme

0:37:10) Good Morning Judge by Buster Poindexter off of Buster Poindexter

Unknownpoindexter

0:40:45)  Rev. Interruption Music 4: Groovin’ High by Charlie Parker off of Congo Blues

0:43:23) Cherry Wine by Little Esther off of Most Essential Blues

0:45:30) Fuck You I’m Drunk by Bondo

0:47:27) Alcohol by Robin Williams off of Robin Williams Live At The Met

little e

0:52:55)  Rev. Interruption Music 5: Interlude by Camper Van Beethoven off of Key Lime Pie

0:54:00) Gin by The Tiger Lillies & Kronos Quartet off of The Gorey End

0:56:46) Love Is Like A Bottle Of Gin by The Magnetic Fields off of 69 Love Songs, Vol. 3

0:58:30) Drinking & Hangovers by Dylan Moran off of Monster: Live at Dublin’s Vicar Street

1:04:20) Hungover by Ke$ha off of Animal 

The-Tiger-Lillies

1:08:10)  Rev. Interruption Music 6: The Drunken Jew by FireWater off of Get Off the Cross…

1:10:15) Organ Skit by Roots Manuva off of Brand New Second Hand

1:10:30) 5 Stages of Drinking by Larry Miller off of 

Music for the Thirtieth Day of July

Listen Phuckers!0:00:01) Thank You For Being a Friend By Cynthia Fee from The Golden Girls

Golden Girls

0:00:40 (Rev’s First Interruption: My Buddy @julps by Mexican Institute Of Sound off of Politico)

Yes, my good, the bad, and the fugly friends, it’s time for that wonderful weirdness for your earholes that makes your brain feel strange, as we skip down a winding path of sound. I’m Rev.  You’re the best. We a Aurally Fixated. And today, the Thirtieth Day of July, is the International Day of Friendship. I hope you bought your insulin and toothbrush because it’s gonna get sickening sweet up in here today,  hence Thank You For Being a Friend, the olden Golden Girls theme. Lets keep the good vibes going with the White Stripes.

Bill Withers

0:01:25) We’re Going to Be Friends By The White Stripes off of White Blood Cells

0:03:45) All My Friends Are Insects by Weezer off of Yo Gabba Gabba! Hey!

0:05:05) Lean On Me by Bill Withers off of Still Bill

0:09:20) Glad To Have A Friend Like You by Marlo Thomas off of Free To Be…You And Me

0:11:35 (Rev’s Second Interruption: Ghosts by Caravan Palace off of Chronologic)

Nope, not gonna do it. You’ve gotten enough Free To Be…You And Me back on International Human Solidarity Day. That was just Glad To Have A Friend LikeYou. Before that we had the Bill Withers classic, Lean On Me. And right before that was Weezer with All My Friends Are Insects off the soundtrack from The Aquabats TV series Yo Gabba Gabba!. It’s as weird and fun an album as you’d imagine with an odd hodgepodge of artiste like; Devo, Biz Markie, Weird Al, George Clinton, Jimmy Eat World, and My chemical romance being wretchedly happy/bouncy… Now, let’s shake that off with P.O.S and his Weird Friends. 

0:13:05) Weird Friends (We Don’t Even Live Here) by P.O.S off of We Don’t Even Live Here

0:15:50) Three Parts WTF by The World/Inferno Friendship Society off of All Borders Are Porous To Cats

0:18:54) My Alcoholic Friends by The Dresden Dolls off of Yes, Virginia…

0:21:35) (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem) by Car Seat HeadRest off of Teen Of Denial

friends

0:27:05 (Rev’s Third Interruption: Without Wings by Corrosion Of Conformity off of Deliverance)

Hello again friends, I am glad that you’re hearing me today, this day about our chosen families. As you know, we started off with the Weird Friends track from the album We Don’t Even Live Here. Then how could we have World Friendship Day without playing The World/Inferno Friendship Society? That was Three Parts What the Fuck, from All Borders Are Porous To Cats. Then came The Dresden Dolls with My Alcoholic Friends. And we ended with Car Seat HeadRest. The nice, concise title of the tune is Drugs With Friends. It’s full ineffable, effable parenthetical name is (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn’t a Problem). I’d wanted to play it for June’s Drug episode but it fits here just as well. Now one for all my wonderful partners in crime out there, whoever you are.

fire water

0:29:00) Another Perfect Catastrophe by FireWater off of The Ponzi Scheme

0:33:15) In Hell I’ll Be In Good Company by The Dead South off of Good Company

0:37:10) Dudley Pippin & His No-Friend by Bobby Morse & Marlo Thomas off of Free To Be…You And Me

0:38:35) Befriend The Friendless Friendster by Busdriver off of Fear Of A Black Tangent

Busdriver-Gush-1515602904-compressed

0:42:10 (Rev’s Fourth Interruption: Security Of The First World by Public Enemy off of It Takes A Nation Of Millions To Hold Us Back)

That strange bit of AvantCore Befriend The Friendless Friendster from Busdriver’s album Fear Of A Black Tangent. (a nod to Public Enemy‘s Fear of A Black Planet) I obviously lied about there being no more Free To Be…You And Me but maybe Dudley Pippin & His No-Friend will be it. That followed closely behind The Dead South and In Hell I’ll Be In Good Company. That video is simple, compelling, and delivers its message perfectly. Check it out. And we started off with FireWater bringing us Another Perfect Catastrophe from their Ponzi Scheme. Now songs is about those “part time lovers and full time friends.

kimya dawson

0:43:34) Goin Out Tonight by Adam Ezra Group off of Better Than Bootleg Vol. 1

0:47:55) Pure Morning by Placebo off of Without You I’m Nothing

0:52:05) Anyone Else But You by The Moldy Peaches off of Juno OST

0:55:00) Fuck Buddy by Pansy Division off of Pileup

0:57:20 (Rev’s Fifth Interruption: In the Valley of the In-Between by Man Man off of Dream Hunting in the Valley of the In-Between)

There were the godfathers of queer-core Pansy Division with their Fuck Buddy. And right before that we enjoyed some Moldy Peaches with Anyone Else But You. Before which we had a Pure Morning with Placebo. And we we started it all off by Goin Out Tonight with the Adam Ezra Group. Now some real Fox and the Hound shit.

0:58:15) Summer Friends by Chance The Rapper ft. Jeremih and Francis & The Lights off of Coloring Book

1:03:00) Long Gone Day by Mad Season of off Above

1:07:45) Beyond The End by Ceschi off of Broken Bone Ballads

jail

1:12:20 (Rev’s Sixth Interruption: Hallucination by Mike Patton off of Crank: High Voltage)

We started that off with Chance The Rapper and his old Summer Friends. Which we followed up with a song from the only record by Mad Season. The members of Pearl Jam, Alice In Chains, and Screaming Trees made one beautiful album. Then we ended with one of my favorites, Ceschi. From his perfect record Broken Bone Ballads that was Beyond The End. All these slow songs got me thinking, Like Mary Hopkins famously did “Those Were The Days, My Friend.”

1:13:11) Those Were The Days, My Friend by Mary Hopkin off of Post Cards

 

Mary

 

1:18:10) Rev’s Seventh Interruption

1:19:25) BFF by Kesha Feat. Wrabel off of High Road

1:23:30) I Found A New Friend by They Might Be Giants off of Apollo 18

1:23:38) Internet Friends by Knife Party off of 100% No Modern Talking

1:28:30) Dudley Pippin & The Principal by Billy De Wolfe, Bobby Morse & Marlo Thomas off of Free To Be…You And Me

1:30:20) Wannabe by Leo Moracchioli off of Leo Metal Covers Volume 7

1:33:00) Rev’s Final Interruption

1:35:00) You’ve Got a Friend by Pou Vannary off of Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll

1:38:45) We’ll Meet Again by Vera Lynn off of the Dr. Strangelove SoundTrack

 

Music for the 26th Day of June

Listen To Meee!

0:00:01-0:06:09) Going Back To Rehab by Sage Francis off of Human The Death Dance

0:06:10-0:06:19) Brain on Drugs P.S.A. 1

0:06:20-0:09:49) Rehab By Amy Winehouse off of Back To Black

any

0:09:50-0:11:54 (Rev’s Interruption Music 1: Moments by Giraffage off of The Best Love Is Free Vol. 3)

Hello my beautiful problem children of all ages and welcome to a very special episode of Aurally Fixated. Today we’re talking about the dangers of narcotics. It’s the 26 day of June, and that means it’s the international Day against drug abuse and trafficking. Drug addiction is a shitty fucking thing that should be avoided. And if you do think you might have a problem please look into getting some help. And with that said, much like World No Tobacco Day, that isn’t going to be all of what today’s show is about. But I did think Sage Francis gnawing his way through the opening of this show with Goin Back to Rehab was the perfect way to begin. And naturally I had to follow up with Ms. Amy Winehouse. Now, let us start with some gateway drugs and go wading into some Muddy Waters with some Champagne & Reefer.

Muddy-Waters3x760

0:11:55-0:16:24) Champagne & Reefer by Muddy Waters off of King Bee 

0:16:25-0:17:19) Maijuana a 1960s PSA off of Devil’s Jukebox: Taboo 60s

0:17:20-0:20:29) Ganja by Bitch And Animal off of Eternally Hard

0:20:30-0:20:59) Brain on Drugs PSA 2

0:21:00-0:21:09) Ecstacy by Vanilla Ice off of Hard To Swallow

0:21:10-0:27:09) Great Times On Drugs by Bill Hicks off of Flying Saucer Tour, Vol 1: 

0:27:10-0:27:49) Wasted by Circle Jerks off of Group Sex

0:27:50-0:30:39 (Rev’s Interruption Music 2: One Man Bank by Guano Padano off of 2)

That was the Circle Jerks with Wasted off their 1980 debut Group Sex. Those 15 songs are a pretty perfect way to spend 15 minutes and 25 seconds. Black Flag’s Waisted was on their 1979 debut EP Nervous BreakDown, written by Greg Ginn and cofounder and then singer Keith Morris. Mr. Morris had a little “freak out on speed and cocaine” that caused him to leave the band and start the Circle Jerks, and created his own take on the song. Before those few jagged seconds we heard from the late, grate Saint Bill Hicks preaching at us about his Great Times On Drugs. The hymn before that was a track from Bitch And Animal called Ganja, from their Righteous Babe release Eternally Hard. And now that we graduated from Champagne & Reefer let’s take a little trip and dance around to some Dog Fashion Disco as they sing and shout their Acid Memoirs. 

0:30:40-0:33:49) The Acid Memoirs by Dog Fashion Disco off of Committed to a Bright Future

0:33:50-0:35:19) Drugs Have Done Good Things by Bill Hicks off of Flying Saucer Tour, Vol 1

0:35:20-0:38:39) Lucy In The Sky With Diamonds by The Beatles off of Sgt. Pepper’s Lonely Hearts Club Band

0:38:40-0:39:15) LSD 25 a Training Film off of Devil’s Jukebox: Taboo 60s

0:39:16-0:43:10) BabySitters on Acid by Lunachicks off of BabySitters on Acid

0:43:11-0:46:05) Whiskey And Weed And L.S.D. by Patton Oswalt off of My Weakness Is Strong

0:46:06-0:46:19) Noticias by Mike Patton off of Crank High Voltage SoundTrack

0:46:20-0:46:40) “I Learned it from watching you” – PSA

0:46:41-0:48:19) Lysergic Acid Diethylamide by ESham off of DMT Sessions

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0:48:20-0:51:24) Rev’s Interruption Music 3 :  Black & Tan Fantasy by Duke Ellington off of Best of Duke Ellington

When you start off with Dog Fashion Disco there’s no telling where you’ll end up. Those Acid Memoirs were off Committed to a Bright Future. After that we had Bill Hicks follow-up to his previous bit from his Flying Saucer Tour.  And we followed that up with a song the band swears is about Lewis Carroll and a child’s drawing. That was Lucy In The Sky With Diamonds off Sgt. Pepper and the Lonely Hearts Club BandThen we had the Lunachicks singing about that old urban legend about the BabySitters on Acid. From that baby story to Patton Oswalt explaining that having a kid made him scale back his Whiskey, And Weed, And L.S.D. That’s from his My Weakness Is Strong album. Then we put a nice little bow on it with ESham and a little love song to drugs called Lysergic Acid Diethylamide, off his album DMT Sessions. Now lets take some Little Blue Pills and make our Days a Daze.

0:51:25-0:55:44) Little Blue Pills Pt. 2 by Days N Daze off of The Oogle Deathmachine

0:55:45-0:58:10) Pills I Took by Hank Williams III off of Straight To Hell

0:58:11-1:01:44) Johnny’s got a problem by KottonMouth Kings off of Fire it Up

1:01:45-1:02:30) Pee Wee’s Crack PSA

1:02:31-1:05:54) Who’s Got The Crack by The Moldy Peaches off of The Moldy Peaches

moldy-peaches

1:05:55-1:08:30 (Rev’s Interruption Music 4 : Valley Of Death by Cunninlynguists off of Dirty Acres)

I know times are tough and all those little indy bands I’m always preachifying about are struggling right along with us. I’m not saying to donate, or even buy anything if you’re having trouble getting by. But if there is a little group or label you love, and can afford to –  buy an album, or a shirt, or something. It might mean the difference of them being able to create more music ever again. But enough of that.

We started that line of music off with Days N Daze from their The Oogle Deathmachine album (which like almost all of their albums, is” pay what you feel is right” on BandCamp. That was there lovely little love-song Little Blue Pills Pt. 2.  Then we heard Hank Williams III with a version of Those Poor Bastards tune Pills I Took. Those Pills took us into KottonMouth Kings cry for help, Johnny’s got a problem. Then a public service announcement from our old friend PeeWee Herman. And finally we brought up the rear with The Moldy Peaches, from their self titled record that was Who’s Got The Crack. And now let’s keep rolling along with Pink, doing an almost too Slick cover of another Lewis Carroll inspired song.

Pink

1:08:31-1:11:04) White Rabbit by Pink off of Beautiful Trauma

1:11:05-1:12:29) Drugs Are For Kids by Doug Stanhope off of Die Laughing

1:12:30-1:12:39) I’m Happy by Denis Leary off of Lock ‘n Load

1:12:40-1:13:09) Panny – PSA

1:13:10-1:14:40) Now I Wanna Sniff Some Glue by The Ramones off of Weird Tales of the Ramones

1:14:41-1:17:05) Take A Bump by Three 6 Mafia off of When the Smoke Clears

1:17:06-1:21:59) PusherMan by Curtis Mayfield off The Very Best of Curtis Mayfield

1:22:00-1:23:10 (Rev’s Interruption Music 5: We Put A Pearl In The Ground by St. Vincent off of Marry Me)

As you know we started it off with Pink Covering the Grace Slick masterwork White Rabbit. Then came Doug Stanhope with Drugs Are For Kids. And the next actual tune we heard was Now I Wanna Sniff Some Glue by The Ramones. Then came the Three 6 Mafia encouraging us to Take A Bump. And finally we heard Curtis Mayfield with PusherMan. Originally I’d though of that song starting off a block of homages to it; one from Chance the Rapper, one from Eminem, and one from Ice-T. But now, for something completely different. 

1:23:11-1:26:34)  Billie’s Cocaine a Michael Jackson and Eric Clapton mash-up by Bill McClintock

1:26:35-1:29:05) Your Parents’ Cocaine by The Coup ft. Justin Sane off of Sorry To Bother You

1:29:06-1:31:09) Heroin and Cocaine by The Tiger Lillies off of Births Marriages And Deaths

1:31:10-1:32:04) Heroin a Documentary off of Devil’s Jukebox: Taboo 60s

1:32:05-1:36:34) Old Fsdhioned Morphine by Jolie Holland off of Escondida

jh

1:36:35-1:38:15 (Rev’s Interruption Music 6: Stoned As You by Factor off of Lawson Graham)

Gimme the sweet smoke of Jolie Holland’s voice any day. That was her with some delicious Old Fsdhioned Morphine. And the song before that was the gloriously fun, foul, and blasphemous oddity that is the Tiger Lillies. Immediately preceding that we had Your Parents’ Cocaine from The Coup. (who, you may remember from our first episode, New Year’s Day.) This one was backed by the voice of Anti-FlagJustin Sane. And we kicked it all off with the Michael Jackson and Eric Clapton mash-up Billie’s Cocaine by a bill Bill McClintock. The video is pretty superbly edited together too.

I know some of you clockwatchers have noticed that I blew way passed my usual 80 minutes, but if you can still hear me, thanks for sticking it out. But I am going to leave you now with a song that needs no introduction. So I’ll just say thanks for being Aurally Fixated with me.

1:38:16) Master of Puppets by Metallica off of Master of Puppets

It-Should-Have-Been-Lars